No faces, just pomegranates

My painting teacher had an empty easel for today's class,  so I decided to fill the spot.  We painted a still life of pomegranates.  Great day!  Stopped at the Oceanside Museum of Art on my way home as I wanted to see the exhibit of Francoise Gilot - a French woman who had 2 children by Picasso and was married to Jonas Salk and lived in La Jolla.  She is 90 and still alive - and spends her time in La Jolla, New York and Paris.  She paints mostly abstracts, not a subject I am usually drawn to, but loved the colors and it wasn't so abstract that you couldn't pick out birds or trees or sailboats.  Lovely exhibit.
Here is today's painting:

Workshop of Faces and Figures

I recently took a 3-day painting workshop from a teacher I have not taken from before - Al Tofanelli.  He was terrific!  We had a live model all 3 days of the workshop and did lots of small studies.  We started with  10 minutes value studies in black and white . . . here are three:

 The next day we stayed with faces, but moved to a limited palette - again, these are quick studies, not finished paintings:

The last day, we did figures - 40 minutes poses:

The workshop was super fun - only 6 of us in the class -- and on the last day, 4 of the 6 students had to leave at noon - so I had a semi-private lesson in the afternoon.  This workshop only reinforced that I love doing figurative work.
Linda

Another face . . .

I received an e-mail today that contained an inspiring quote:

"A writer -- and, I believe, generally all persons -- must think that whatever happens to him or her is a resource.  All things have been given to us for a purpose, and an artist must feel this more intensely.  All that happens to us, including our humiliations, our misfortunes, our embarrassments, all is given to us as raw material, as clay, so that we may shape our art."    Jorge Luis Borges (writer)

I am still trying to shape my art . . . here is the latest face:
Linda